DPA d:fine™ Flex In-Ear Broadcast Headset and Earsets

DPA d:fine™ Flex In-Ear Broadcast Headset and Earsets

The d:fine™ In-Ear Broadcast Headset Microphones series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communication.

Категория: Микрофони Марка: DPA SKU:
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1 572,00 лв.
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 Закупувайки този продукт, Вие получавате:

Гаранция за физическо лице: 24 м. (гаранцията не важи за аксесоари и кабели)
Безплатна доставка при поръчка на стойност над 50 лв.
Проверка на пратката и 14 дни право на връщане

Описание

 

Configure your microphone

 

  • CAPSULE
    Round Directional Capsule (4288)
  • WEARING STYLE
    Headset with single InEar
  • COLOR
    Black
  • TERMINATION
    MicroDot (for use with detachable connectors)
  • WIRED OR WIRELESS
    Microdot Only
  • ACCESSORIES
    Makeup cover
    Pop screen
    Foam windscreen
   
  

 

Streamlined broadcast headsets

  • Mic and in-ear monitor integrated in one unique solution
  • Easy to mount with minimum cable clutter
  • Legendary microphone capsule technology and sound quality
  • Lightweight and flexible
  • Minimal visual impact
  • Resistant to humidity
  • Modular adapter system fits most professional wireless systems
The d:fine™ In-Ear Broadcast Headset Microphones series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communication.

No more fiddling with two parallel systems – one for the mic and one for the in-ear communication. This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.

Setting new standards for the broadcast industry

Already the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.



The in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.

The cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.

These innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.
 

d:fine™ 4266 Omni In-Ear Headset Mic

The d:fine™ 4266 Omni In-Ear Broadcast Headset Microphone combines the legendary sound of the 4066 Omnidirectional Capsule with a lightweight and flexible headset system and an in-ear driver. This condenser mic is easy and fast to adjust and it offers clean and transparent sound quality with lots of headroom.

Like all of the microphones in the range, the d:fine™ 4266 Omni In-Ear Broadcast Headset Microphone offers accurate, natural voice intelligibility and very high SPL capabilities. The mics effortlessly handle up to 144 dB peak before clipping. In addition, due to their exquisite linear response, low distortion and extremely broad dynamic range, they sound great no matter what the application. The d:fine™ 4266 comes with a Single In-Ear earpiece and is available in black and beige.
 

d:fine™ 4188 Directional In-Ear Headset Mic

The d:fine™ 4188 Directional In-Ear Headset Microphone rejects side and background noise while creating higher separation from nearby sound sources. This improves the gain-to-feedback ratio and gives more channel control. Yet natural voice intelligibility is preserved. The mic also has very high SPL capabilities. You can both speak and sing into the mic with no hint of distortion.



Windscreens, a capsule protection cap, a cable clip (to anchor the cable to your clothing) and a color-coded cable clip (offering easy recognition of a specific headset among many) are included. The squared capsule provides a slim appearance on camera. The d:fine™ 4188 comes with Dual In-Ear earpieces and is available in black and beige.
 

d:fine™ 4288 Directional In-Ear Headset Mic

The d:fine™ 4288 Directional In-Ear Broadcast Headset Microphone combines the legendary sound of the 4088 Directional Capsule with a lightweight and flexible headset system. Staying true to the DPA legacy, d:fine™ offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.

This mic comes in either a Single In-Ear  or Dual In-Ear version. It is available in both black and beige.
 

A bit about omnis

An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.

Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.
 

A bit about cardioids

Named for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.

A cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.

Due to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.
 

Adapter system gives you flexibility

The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.



The d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.

Find the adapter that fits your wireless system.

 

 

Product IDs

Each microphone come in a different variations, each with it's own product ID and variand name. See the list of product IDs and names below.

 

 


Внимание!

 

Посочената цена се отнася за модел микрофон със следните параметри:
d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, Black, MicroDot, Single In-Ear 4288-DL-I-B00-LH-1

 

Ако желаете различна конфигурация, можете да натиснете ТУК или чрез линка по-горе в описанието.


  

 

Още

Допълнителна информация

Гаранция

2 години

За производителя

DPA Microphones е компания от Дания, производител на професионални микрофони.

Всичко започва през далечната 1950 година, когато предшествениците на DPA Microphones, Brüel & Kjær разрабоват първите толкова прецизни и точни микрофони. Прецизен звук, безкомпромистна последователност и изключителна надеждност, вече повече от шест десетилетия DPA Microphones пишат своята история в музикалния бизнес и не само, микрофони на компанията се ползват в CNN и Формула 1.

Това е ключът към големия успех на DPA, постоянни иновации и техническо превъзходство плюс предизвикателни индустриaлни стандарти.

Централния офис на компанията се намира в Копенхаген, Дания.

Всички продукти на DPA Microphones се изработват и тестват ръчно във фабриката им в Alleroed, Дания.

Specifications

Directional pattern Cardioid
Principle of operation Pressure gradient
Cartridge type Pre-polarized condenser
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHz
Sensitivity, nominal, ±3 dB at 1 kHz 6 mV/Pa; -44 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)
Total harmonic distortion (THD) < 1% up to 123 dB SPL peak
Dynamic range Typ. 97 dB
Max. SPL, peak before clipping 144 dB
Output impedance From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω
Cable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter
Output balance principle Signal balanced with DAD6001-BC XLR Adapter
Common mode rejection ratio (CMRR) > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter
Power supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems
Current consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter
Connector MicroDot
Color Black or beige
Weight Microphone boom: 0.8 g (0.03 oz). Earhook: 1.1 g (0.04 oz). Cabel: 6.6 g (0.23 oz). Total: 8.5 g (0.30 oz)
Microphone diameter 5.4 mm (0.21 in)
Cable length 1.3 m (4.3 ft)
Cable color Black or beige
Cable diameter 1.6 mm (0.06 in)
Polarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)
Electromagnetic compatibility (EMC) Fully compatible
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%

 

Specifications

Directional pattern Cardioid
Principle of operation Pressure gradient
Cartridge type Pre-polarized condenser
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz (4 - 6 dB soft boost at 15 kHz)
Sensitivity, nominal, ±3 dB at 1 kHz 6 mV/Pa; -44 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)
Total harmonic distortion (THD) < 1% up to 123 dB SPL peak
Dynamic range Typ. 97 dB
Max. SPL, peak before clipping 144 dB
Output impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω
Cable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter
Output balance principle Signal balanced with DAD6001-BC XLR Adapter
Common mode rejection ratio (CMRR) > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter
Power supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems
Current consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter
Connector MicroDot
Color Black, beige or brown
Weight Single Ear: 10 g (0.35 oz)
Microphone diameter 5.4 mm (0.21 in)
Microphone length 12.7 mm (0.5 in)
Cable length 1.25 m (4.1 ft)
Cable color Black, beige or brown
Cable diameter 1.6 mm (0.06 in)
Polarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%

 

Specifications

Directional pattern Omnidirectional
Principle of operation Pressure
Cartridge type Pre-polarized condenser
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz
Sensitivity, nominal, ±3 dB at 1 kHz 6 mV/Pa; -44 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)
Total harmonic distortion (THD) < 1% up to 123 dB SPL peak
Dynamic range Typ. 97 dB
Max. SPL, peak before clipping 144 dB
Output impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω
Cable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter
Output balance principle Signal balanced with DAD6001-BC XLR Adapter
Common mode rejection ratio (CMRR) > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter
Power supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems
Current consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter
Connector MicroDot
Color Black, beige or brown
Weight Single Ear: 10 g (0.35 oz)
Microphone diameter 5.4 mm (0.21 in)
Microphone length 12.7 mm (0.5 in)
Cable length 1.25 m (4.1 ft)
Cable color Black, beige or brown
Cable diameter 1.6 mm (0.06 in)
Polarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%

 

DPA d:fine™ Flex In-Ear Broadcast Headset and Earsets

DPA d:fine™ Flex In-Ear Broadcast Headset and Earsets

1 572,00 лв.
Стара цена:
Спестяваш:
Няма наличност
DPA d:fine™ Flex In-Ear Broadcast Headset and Earsets
DPA d:fine™ Flex In-Ear Broadcast Headset and Earsets
The d:fine™ In-Ear Broadcast Headset Microphones series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communication.

DPA

DPA е датска фирма производител на микрофони създадена през 1992 г, но с традиции от 50-те години на 20-ти век. Емблематични за фирмата са чистият, неоцветен звук, както и високата чувствителност на микрофоните им, която не се променя с времето. Компанията е позната като една от първите, разработили и започнали производството на миниатюрни микрофони, които в момента са стандарт във филмовата и телевизионната индустрия. Компанията е печелила множество награди като: PIPA Award 2014, няколко AudioMedia &ldquo;Gear of the Year&rdquo; награди, Audio Pro International API Award, PAR Excellence и др. Апаратурата се произвежда изцяло в Дания и е с гарантирано високо качество, а всеки един микрофон се тества персонално от специалист. Сред артистите, които ползват DPA микрофони са Стинг, Стиви Уондър, Джон Патитучи, Ранди Брекър и др.
2018-03-23T07:00:10-04:00
1572.00 1572.00 BGN 1
() 1572.00 BGN Микрофони Out Of Stock FlexIn-Eard:fine
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