DPA d:dicate™ Stereo Pair

DPA d:dicate™ Stereo Pair

We have collected our award-winning d:dicate™ Recording Microphones in specialized stereo pairs that are matched within either ±0.5 dB, ±1 dB ±1.5 dB, depending on the pair you choose. Explore the stereo pairs below.

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Гаранция за физическо лице: 24 м. (гаранцията не важи за аксесоари и кабели)
Безплатна доставка при поръчка на стойност над 50 лв.
Проверка на пратката и 14 дни право на връщане

Описание

 

Configure your microphone

 

  • CAPSULE
    2011 Twin Diaphragm Cardioid
  • PREAMP
    MMP-C compact preamp
  • ACCESSORIES
    Clip
    Peli case
    Foam windscreen
 

 

Matched stereo pairs

  • Modularity – interchangable capsules and preamplifiers
  • Up to 120 dB dynamic range
  • RF rejection between >60 and >40 dB
  • Linear frequency response
  • High SPL
  • Superior gain before feedback
The wide and versatile d:dicate™ Microphone series is legendary in the high-end recording and film production industry. Delivering clean, accurate sound, the mics in this series are used by professionals, who understand sound and insist on only using the best.

We have collected our award-winning d:dicate™ Recording Microphones in specialized stereo pairs that are matched within either ±0.5 dB, ±1 dB ±1.5 dB, depending on the pair you choose. Explore the stereo pairs below.
 

2006 Omnidirectional Stereo Pairs

These kits contains a complete stereo pair; two handpicked d:dicate™ 2006 Twin Diaphragm Omnidirectional Microphones, selected on sensitivity within ±1.5 dB. The mics deliver precise sound and true tone. These mics are ideal for use with orchestra, acoustic piano, guitar, wind instruments and choirs. The two 2006s comes with Clips and Windscreens all packed in a Peli™ Case.


The d:dicate™ 2006 Twin Diaphragm Omnidirectional Microphone

Inside the MMC2006 Twin Diaphragm Omnidirectional Capsule, two opposite-facing miniature capsules are custom rebuilt. They are placed into a double-diaphragm, one-capsule composition. This combines the advantages of small capsules with the lower inherent noise achieved from a larger diaphragm area. These capsules provide fast impulse response and large frequency bandwidth.




The capsules are loaded to the supreme d:dicate™ Microphone series preamplifiers instead of the tiny miniature FET ones. This gives the sound more air and precision.

Comparisons with its big brother, the iconic 4006 Omnidirectional Microphone, are inevitable. The relationship between the two can be clearly heard. The 2000 series performs as well as more exclusive microphones. It is a premium-class microphone and redefines the term value for money.


ST2006A Stereo Pair
Together with the MMP-A preamp this condenser mic bridges the gap between the extreme sound quality of the d:dicate™ Microphones series and our well-known Miniature Microphones in the d:screet™ series.



ST2006C Stereo Pair
Together with the MMP-C preamp, the ST2006C makes a small, lightweight and inconspicuous main AB stereo pair. The two 2006C comes with Clips and Windscreens all packed in a Peli™ Case.

The mics deliver precise sound and true tone. Meeting classic architecture and installation requirements, these mics can be mounted, hung or concealed to create clean, transparent recordings.

 

2011 Cardioid Stereo Pair

This complete stereo pair contains two handpicked d:dicate™ 2011 Twin Diaphragm Cardioid Microphones, selected on sensitivity within ±1.5 dB. These mics make several stereo principles like XY and ORTF easy to obtain. The pair contains mics, windscreens and clips all packaged in a Peli™ Case.

The 2011 Twin Diaphragm Cardioid Microphone

Inside the 2011 Twin Diaphragm Cardioid Microphone, two opposite-facing miniature capsules are custom rebuilt. They are placed into a double-diaphragm, one-capsule composition. This combines the advantages of small capsules with the lower inherent noise achieved from a larger diaphragm area. These capsules provide fast impulse response and large frequency bandwidth.



Inside the MMC2011 Twin Diaphragm Cardioid Capsule, two opposite-facing miniature capsules are custom rebuilt. They are placed into a double-diaphragm, one-capsule composition. This combines the advantages of small capsules with the lower inherent noise achieved from a larger diaphragm area. These capsules provide fast impulse response and large frequency bandwidth.

The capsules are loaded to the supreme d:dicate™ Microphone series preamplifiers instead of the tiny miniature FET ones. This gives the sound more air and precision.

ST2011A Stereo Pair
These mics are acclaimed for their close-miking excellence and hi-SPL handling. Optimized for onstage use, it has been used on many stages as well as recording sessions. They exhibit a previously unheard blend of clarity, richness and dynamic range. The off-axis response is linear but in a smaller frequency bandwidth. This makes stage separation and gain-to-feedback higher. The mic level is easier to control.



The foam design in the heavy-duty transportation box allows for fast and easy exchange of the microphone/accessory inlays.

ST2011C Stereo Pair
Together with the MMP-C preamp, this makes a small, lightweight and inconspicuous stereo pair.

The compact design and controlled directionality of these mics make them an excellent choice for spot mics for classical recording and on-stage close mics for live sound.

 

4006 Omnidirectional Stereo Pair

Even though the standard tolerances on our d:dicate™ microphones are extremely low, a stereo match is even closer. These specially selected d:dicate™ 4006 Microphones are matched within ±0.5 dB on both frequency response and sensitivity. The pair comes in a heavy-duty Peli™ Case for safe transportation and easy access to the microphones and accessories.

The d:dicate™ 4006 Omnidirectional Microphone

The 4006 Omnidirectional Microphone offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB).

A selection of optional accessories can be purchased, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.
 

ST4006A Stereo Pair

The d:dicate™ 4006A Omnidirectional Microphone is a flexible solution. Engineers, broadcasters and musicians alike can achieve clean, natural and precise sound reproduction. This mic is ideal for A-B stereo pairs for symphonic concert hall recordings. It also excels on vocals, for close-miking all types of instruments and as an outdoor interview microphone.



For reference stereo recording, there is no better choice than a d:dicate™ 4006A Omnidirectional Microphone. These omnidirectional condenser microphones are linear and true in character. They come as a hand-matched pair that offers the truest capture of stereo sound available.
 

ST4006C Stereo Pair
This kit is similar to the ST4006A Stereo Pair, using the same MMC4006 Omnidirectional Microphone Capsule to gain its amazing sound. Whenever a small, lightweight, inconspicuous microphone for top-quality recording is required, a d:dicate™ 4006C Omnidirectional Microphone is the right choice. They come as a hand-matched pair that offers the truest capture of stereo sound available.

 

4007 Omnidirectional Stereo Pair, 12 mm

Even though the standard tolerances on our d:dicate™ microphones are extremely low, a stereo match is even closer. These specially selected d:dicate™ 4006 Microphones are matched within ±0.5 dB on both frequency response and sensitivity. The pair comes in a heavy-duty Peli™ Case for safe transportation and easy access to the microphones and accessories.

The d:dicate™ 4007 Omnidirectional Microphone, 12 mm

The 4007 Omnidirectional Microphone, 12 mm is a true pressure omnidirectional transducer. It has an unbeatable dynamic range of 124 dB from the noise floor to 1% THD. It is capable of handling up to 160 dB SPL peak before clipping occurs.

Due to its total acoustical transparency and ultra-high SPL handling capability, the 4007 Omnidirectional Microphone, 12 mm has gained a reputation as being the first choice for picking up drums, percussion and brass instruments, whenever a natural and non-distorted result is paramount for recording applications.
 

ST4007A Stereo Pair

The d:dicate™ 4007A Omnidirectional Microphone close miking specialist with a linear on-axis response in an extended frequency range from 10 Hz to 40 kHz (±2 dB).
 

ST4007C Stereo Pair
When a small, lightweight, inconspicuous microphone for top-quality recordings or measurements is required, the compact design and clean, transparent sound of this versatile mic is the perfect choice.

 

4011 Cardioid Stereo Pair

Even though the standard tolerances on our d:dicate™ microphones are extremely low, a stereo match is even closer. These specially selected d:dicate™ 4011A Cardioid Microphones are matched within ±1 dB on both frequency response and sensitivity. The pair comes in a heavy-duty Peli™ Case for safe transportation and easy access to the microphones and accessories.


The d:dicate™ 4011 Cardioid Microphone
The principal appeal of the 4011 Cardioid Microphone is its directional quality and attention to detail. This mic makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources.

It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone.

A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.
 

ST4011A Stereo Pair
This condenser microphone is renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy and extremely low distortion.
 


 

ST4011C Stereo Pair

This pair is similar to the ST4011A Stereo Pair, using the same MMC4011 Cardioid Microphone Capsule to gain its amazing sound. Designed to be hidden from view, the diminutive design and high performance of the d:dicate™ 4011C Cardioid Microphone, Compact makes it the outstanding choice for unobtrusively miking all types of television, film, theatre, concert and studio performances.



When used to spot-mike larger orchestras, these mics are hard to beat. Capable of handling high SPLs without distortion, the d:dicate™ 4011C Cardioid Microphone, Compact is perfectly tailored for close-miking applications; minimizing bleed from other instruments. In film and TV studios, they are excellent for off-camera voice recording or Foley work. For live on-camera recordings, their matte black finish gives them a classic yet inconspicuous appearance, while for sound reinforcement in concert halls, theatres and houses of worship, they provide clean, natural sound while reducing the noticeable effect of lighting reflection.
 

4015 Wide Cardioid Stereo Pair

A complete Stereo Pair with two carefully factory-matched d:dicate™ 4015 Wide Cardioid Microphones. Even though the standard tolerances on d:dicate™ series are extremely low, a stereo match is even closer. These mics are matched within ±1 dB on both frequency response and sensitivity. The pair comes with two 4015 mics, clips and windscreens in a Peli™ Case.


The d:dicate™ 4015 Wide Cardioid Microphone
The off-axis characteristics of the MMC4015 Wide Cardioid Microphone Capsule are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated.

Sometimes a conventional cardioid pattern just isn’t quite open enough. Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. When recording instruments with complex radiation patterns, the wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice. This is the often ideal mic for recording grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices.
 

ST4015A Stereo Pair

Our wide cardioid microphones are capable of handling extremely high sound pressure levels before clipping occurs. The d:dicate™ 4015A Wide Cardioid Microphone even includes a 20 dB pad switch in the center of the XLR connector to prevent overloading of the mic amplifier.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of the microphone/accessory inlays.


 

ST4015C Stereo Pair
This pair is similar to the ST4015A Stereo Pair, using the same MMC4015 Wide Cardioid Microphone Capsule to gain its amazing sound.

Visually discreet, the d:dicate™ 4015C Compact Wide Cardioid Microphone represents an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, these mics will certainly exceed expectations when used on choirs, percussion setups, grand pianos, wind instruments and much more.

The foam design in the heavy-duty transportation box allows for fast and easy exchange of the microphone/accessory inlays

 
 
 

Product IDs

Each microphone come in a different variations, each with it's own product ID and variand name. See the list of product IDs and names below.

 

 


Внимание!

 

Посочената цена се отнася за модел микрофон със следните параметри:
d:dicate™ 2011C Stereo Pair with Clips and Windscreens in Peli Case ST2011C

 

Ако желаете различна конфигурация, можете да натиснете ТУК или чрез линка по-горе в описанието.


  

 

Още

Допълнителна информация

Гаранция

2 години

За производителя

DPA Microphones е компания от Дания, производител на професионални микрофони.

Всичко започва през далечната 1950 година, когато предшествениците на DPA Microphones, Brüel & Kjær разрабоват първите толкова прецизни и точни микрофони. Прецизен звук, безкомпромистна последователност и изключителна надеждност, вече повече от шест десетилетия DPA Microphones пишат своята история в музикалния бизнес и не само, микрофони на компанията се ползват в CNN и Формула 1.

Това е ключът към големия успех на DPA, постоянни иновации и техническо превъзходство плюс предизвикателни индустриaлни стандарти.

Централния офис на компанията се намира в Копенхаген, Дания.

Всички продукти на DPA Microphones се изработват и тестват ръчно във фабриката им в Alleroed, Дания.

Specifications

Directional pattern Omnidirectional
Principle of operation Pressure
Cartridge type Pre-polarized condenser
Frequency range 10 Hz - 20 kHz
Frequency range, ±2 dB 20 Hz - 20 kHz
Sensitivity, nominal, ±2 dB at 250 Hz 40 mV/Pa; -28 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 15 dB(A) re. 20 µPa (max. 17 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 27 dB (max. 29 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 79 dB(A)
Total harmonic distortion (THD) < 1% up to 134 dB SPL peak
Dynamic range Typ. 119 dB
Max. SPL, peak before clipping 139 dB
Output impedance 100 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 50 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 63 g (2.2 oz)
Microphone diameter 16 - 19 mm (0.6 - 0.75 in)
Capsule diameter 16 mm (0.6 in)
Microphone length 64 mm (2.5 in)
Maximum output voltage, RMS 4.5 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%
Matching tolerance (frequency response and sensitivity) ±0.5 dB
Phase deviation for kit < 5°

 

Specifications

Directional pattern Cardioid
Principle of operation Pressure gradient
Cartridge type Pre-polarized condenser
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB, at 30 cm (11.8 in) 40 Hz - 20 kHz
Sensitivity, nominal, ±2 dB at 1 kHz 10 mV/Pa; -40 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 76 dB(A)
Total harmonic distortion (THD) < 1% up to 139 dB SPL peak
Dynamic range Typ. 121 dB
Max. SPL, peak before clipping 159 dB
Switchable attenuator, filters etc. 0 dB / -20 dB
Output impedance 200 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 60 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 158 g (5.6 oz)
Microphone diameter 19 mm (0.75 in)
Capsule diameter 19 mm (0.75 in)
Microphone length 170 mm (6.7 in)
Maximum output voltage, RMS > 5 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%
Matching tolerance (frequency response and sensitivity) ±1 dB
Phase deviation for kit < 10°

 

Specifications

Directional pattern Cardioid 
Principle of operation  Pressure gradient 
Cartridge type  Pre-polarized condenser 
Frequency range  20 Hz - 20 kHz 
Frequency range, ±2 dB, at 30 cm (11.8 in)  40 Hz - 20 kHz 
Sensitivity, nominal, ±2 dB at 1 kHz  10 mV/Pa; -40 dB re. 1 V/Pa 
Equivalent noise level, A-weighted  Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A)) 
Equivalent noise level, ITU-R BS.468-4  Typ. 25 dB 
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL)  Typ. 76 dB(A) 
Total harmonic distortion (THD)  < 1% up to 139 dB SPL peak 
Dynamic range Typ. 121 dB
Max. SPL, peak before clipping 152 dB
Output impedance 100 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 50 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 58 g (2 oz)
Microphone diameter 19 mm (0.75 in)
Capsule diameter 19 mm (0.75 in)
Microphone length 64 mm (2.5 in)
Maximum output voltage, RMS > 4 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%
Matching tolerance (frequency response and sensitivity) ±1 dB
Phase deviation for kit < 10°

 

Specifications

 Directional pattern  Cardioid
 Principle of operation  Pressure gradient, with interference tube
 Cartridge type  Pre-polarized condenser, Twin Diaphragm Capsule
 Frequency range  20 Hz - 20 kHz
 Frequency range, ±2 dB, at 30 cm (11.8 in)  50 Hz - 17 kHz with 3 dB soft boost at 12 kHz
 Sensitivity, nominal, ±2 dB at 1 kHz  10 mV/Pa; -40 dB re. 1 V/Pa
 Equivalent noise level, A-weighted  Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A))
 Equivalent noise level, ITU-R BS.468-4  Typ. 33 dB (max. 36 dB)
 S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL)  Typ. 74 dB(A)
 Total harmonic distortion (THD)  < 1% up to 137 dB SPL peak
 Dynamic range  Typ. 117 dB
 Max. SPL, peak before clipping  153 dB
 Switchable attenuator, filters etc.  0 dB / -20 dB
 Output impedance  200 Ω
 Minimum load impedance  2 kΩ
 Cable drive capability  100 m (328 ft)
 Output balance principle  Impedance balancing with Active Drive
 Common mode rejection ratio (CMRR)   > 60 dB
 Power supply (for full performance)  48 V Phantom power (± 4 V)
 Current consumption  2.8 mA
 Connector   XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
 Color  Matte black
 Weight  164 g (5.8 oz)
 Microphone diameter  19 mm (0.75 in)
 Microphone length   198 mm (7.8 in)
 Maximum output voltage, RMS  > 5 V
 Polarity  +V at pin 2 for positive sound pressure
 Temperature range   -40°C to 45°C (-40°F to 113°F)
 Relative humidity (RH)  Up to 90%

Specifications

Directional pattern Cardioid
Principle of operation Pressure gradient, with interference tube
Cartridge type Pre-polarized condenser, Twin Diaphragm Capsule
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB, at 30 cm (11.8 in) 50 Hz - 17 kHz with 3 dB soft boost at 12 kHz
Sensitivity, nominal, ±2 dB at 1 kHz 10 mV/Pa; -40 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 33 dB (max. 36 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 74 dB(A)
Total harmonic distortion (THD) < 1% up to 137 dB SPL peak
Dynamic range Typ. 117 dB
Max. SPL, peak before clipping 146 dB
Output impedance 100 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 50 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 64 g (2.3 oz)
Microphone diameter 19 mm (0.75 in)
Microphone length 92 mm (3.6 in)
Maximum output voltage, RMS > 4 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%

 

Specifications

Directional pattern Omnidirectional
Principle of operation Pressure
Cartridge type Pre-polarized condenser, Twin Diaphragm Capsule
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB 50 Hz - 20 kHz with typ. 3 dB soft boost at 14 kHz
Sensitivity, nominal, ±2 dB at 1 kHz 40 mV/Pa; -28 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 28 dB (max. 30 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 78 dB(A)
Total harmonic distortion (THD) < 1% up to 130 dB SPL peak
Dynamic range Typ. 114 dB
Max. SPL, peak before clipping 146 dB
Switchable attenuator, filters etc. 0 dB / -20 dB
Output impedance 200 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 60 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 160 g (5.6 oz)
Microphone diameter 19 mm (0.75 in)
Microphone length 164 mm (6.5 in)
Maximum output voltage, RMS 8 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%

 

Specifications

Directional pattern Omnidirectional
Principle of operation Pressure
Cartridge type Pre-polarized condenser, Twin Diaphragm Capsule
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB 50 Hz - 20 kHz with typ. 3 dB soft boost at 14 kHz
Sensitivity, nominal, ±2 dB at 1 kHz 40 mV/Pa; -28 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 28 dB (max. 30 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 78 dB(A)
Total harmonic distortion (THD) < 1% up to 130 dB SPL peak
Dynamic range Typ. 114 dB
Max. SPL, peak before clipping 139 dB
Output impedance 100 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 50 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 60 g (2.1 oz)
Microphone diameter 19 mm (0.75 in)
Microphone length 58 mm (2.3 in)
Maximum output voltage, RMS 4.5 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%

 

Specifications

Directional pattern Omnidirectional
Principle of operation Pressure
Cartridge type Pre-polarized condenser
Frequency range 10 Hz - 40 kHz
Frequency range, ±2 dB 10 Hz - 40 kHz
Sensitivity, nominal, ±2 dB at 250 Hz 9 mV/Pa; -41 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 24 dB(A) re. 20 µPa (max. 26 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 36 dB (max. 38 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 70 dB(A)
Total harmonic distortion (THD) < 0.5% up to 142 dB SPL peak
Dynamic range Typ. 124 dB
Max. SPL, peak before clipping 159 dB
Switchable attenuator, filters etc. 0 dB / -20 dB
Output impedance 200 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 60 dB
Power supply (for full performance) 48 V Phantom power (±- 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 161 g (5.7 oz)
Microphone diameter 12 - 19 mm (0.47 - 0.75 in)
Capsule diameter 12 mm (0.47 in)
Microphone length 170 mm (6.7 in)
Maximum output voltage, RMS 8 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%
Matching tolerance (frequency response and sensitivity) ±0.5 dB
Phase deviation for kit < 5°

 

Specifications

Directional pattern Omnidirectional
Principle of operation Pressure
Cartridge type Pre-polarized condenser
Frequency range 10 Hz - 40 kHz
Frequency range, ±2 dB 20 Hz - 40 kHz
Sensitivity, nominal, ±2 dB at 250 Hz 9 mV/Pa; -41 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 24 dB(A) re. 20 µPa (max. 26 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 36 dB (max. 38 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 70 dB(A)
Total harmonic distortion (THD) < 0.5% up to 142 dB SPL peak
Dynamic range Typ. 124 dB
Max. SPL, peak before clipping 152 dB
Output impedance 100 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 50 dB
Power supply (for full performance) 48 V Phantom power (±- 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 61 g (2.2 oz)
Microphone diameter 12 - 19 mm (0.47 - 0.75 in)
Capsule diameter 12 mm (0.47 in)
Microphone length 64 mm (2.5 in)
Maximum output voltage, RMS 4.5 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%
Matching tolerance (frequency response and sensitivity) ±0.5 dB
Phase deviation for kit < 5°

 

Specifications

Directional pattern Wide cardioid
Principle of operation Pressure gradient
Cartridge type Pre-polarized condenser
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB, at 60 cm (23.6 in) 40 Hz - 20 kHz
Sensitivity, nominal, ±2 dB at 1 kHz 10 mV/Pa; -40 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 76 dB(A)
Total harmonic distortion (THD) < 1% up to 139 dB SPL peak
Dynamic range Typ. 121 dB
Max. SPL, peak before clipping 159 dB
Switchable attenuator, filters etc. 0 dB / -20 dB
Output impedance 200 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 60 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 158 g (5.6 oz)
Microphone diameter 19 mm (0.75 in)
Capsule diameter 19 mm (0.75 in)
Microphone length 170 mm (6.7 in)
Maximum output voltage, RMS > 5 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%
Matching tolerance (frequency response and sensitivity) ±1 dB
Phase deviation for kit < 10°

 

Specifications

Directional pattern Wide cardioid
Principle of operation Pressure gradient
Cartridge type Pre-polarized condenser
Frequency range 20 Hz - 20 kHz
Frequency range, ±2 dB, at 60 cm (23.6 in) 40 Hz - 20 kHz
Sensitivity, nominal, ±2 dB at 1 kHz 10 mV/Pa; -40 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 25 dB
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 76 dB(A)
Total harmonic distortion (THD) < 1% up to 139 dB SPL peak
Dynamic range Typ. 121 dB
Max. SPL, peak before clipping 152 dB
Output impedance 100 Ω
Minimum load impedance 2 kΩ
Cable drive capability 100 m (328 ft)
Output balance principle Impedance balancing with Active Drive
Common mode rejection ratio (CMRR) > 50 dB
Power supply (for full performance) 48 V Phantom power (± 4 V)
Current consumption 2.8 mA
Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color Matte black
Weight 58 g (2 oz)
Microphone diameter 19 mm (0.75 in)
Capsule diameter 19 mm (0.75 in)
Microphone length 64 mm (2.5 in)
Maximum output voltage, RMS > 4 V
Polarity +V at pin 2 for positive sound pressure
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%
Matching tolerance (frequency response and sensitivity) ±1 dB
Phase deviation for kit < 10°

 

DPA d:dicate™ Stereo Pair

DPA d:dicate™ Stereo Pair

3 298,00 лв.
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DPA d:dicate™ Stereo Pair
DPA d:dicate™ Stereo Pair
We have collected our award-winning d:dicate™ Recording Microphones in specialized stereo pairs that are matched within either ±0.5 dB, ±1 dB ±1.5 dB, depending on the pair you choose. Explore the stereo pairs below.

DPA

DPA е датска фирма производител на микрофони създадена през 1992 г, но с традиции от 50-те години на 20-ти век. Емблематични за фирмата са чистият, неоцветен звук, както и високата чувствителност на микрофоните им, която не се променя с времето. Компанията е позната като една от първите, разработили и започнали производството на миниатюрни микрофони, които в момента са стандарт във филмовата и телевизионната индустрия. Компанията е печелила множество награди като: PIPA Award 2014, няколко AudioMedia &ldquo;Gear of the Year&rdquo; награди, Audio Pro International API Award, PAR Excellence и др. Апаратурата се произвежда изцяло в Дания и е с гарантирано високо качество, а всеки един микрофон се тества персонално от специалист. Сред артистите, които ползват DPA микрофони са Стинг, Стиви Уондър, Джон Патитучи, Ранди Брекър и др.
2018-03-22T09:39:37-04:00
3298.00 3298.00 BGN 1
() 3298.00 BGN Микрофони Out Of Stock StereoPaird:dicate
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