MADI устройства
The AI4S-192 AIO and AO4S-192 AIO add additional analog inputs and outputs of true studio quality to the HDSP 9632 and the HDSPe AIO.
The AI4S-192 AIO and AO4S-192 AIO add additional analog inputs and outputs of true studio quality to the HDSP 9632 and the HDSPe AIO.
RME offers several Expansion Boards, that add more or other I/O ports to the internal cards of the Hammerfall, HDSP, HDSPe and DIGI96 series.
MADI (Multi-channel Audio Digital Interface) is an established standardised audio format that can carry up to 64 channels of audio in a single cable connection.
RME introduces the HDSPe AIO Pro PCI Express interface card, the successor of the popular HDSPe AIO. The Pro version provides professional users in the fields of studio and broadcast with the same high channel count as well as analog/digital input and output variety of the HDSPe AIO. In terms of technical features RME has completely reworked the HDSPe AIO Pro, defining the current state-of-the-art in PCI Express cards.
RME ́s new MADI I64 module provides total integration of Micstasy and ADI-8 QS into any MADI environment. As a single MADI cable can transfer up to 64 channels of audio, up to 8 Micstasy and ADI-8 QS devices can be easily daisy-chained with one MADI cable per unit.
The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.
A lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.
The RME AVB Tool combines MADI and deterministic AVB networked audio with four high-precision microphone, instrument and line level inputs, plus headphone and separate line level outputs. Following RME’s concept of maximum versatility and connectivity, 128 channels of MADI I/O have been also added to this half rack 19” device.
The Alpha-Link MADI AX, Alpha-Link MADI SX and Alpha-Link Live-R are well established as reliable high quality multi-channel audio converters in professional studio installations around the world. Both models feature 64 channel MADI to 24 channel digital and 24 channel SSL A-D/D-A converters.
The RME M-1610 Pro combines 16 analog inputs with 8 balanced analog line level outputs, independent stereo headphones, redundant AVB ports, up to two independent MADI ports, ADAT outputs, remote control with web interface and dual internal power supplies - to deliver M-32 Pro performance at an attractive price point.
RME's M-16 AD is a 16-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 16 times!
RME's M-16 DA is a 16-channel high-end DA converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion - not less than 16 times!
RMEs ADI-6432 offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore, or one unit used as AES/EBU frontend for theHammerfall DSP MADI PCI card
RME's M-32 DA is a 32-channel high-end DA converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion - not less than 32 times!
With the M-32 AD and M-32 DA, RME presented two independent 32-channel converters in 2010, which quickly became the industry standard thanks to their high quality, reliability and number of channels. Since then, not only the converter technology but also the requirements of pro audio users have evolved in all kinds of areas - professional studios, immersive sound installations, live sound systems and even applications in the industrial sector requiring high analog channel counts.